In Brief

Last month the con­tro­ver­sial and high­ly suc­cess­ful singer and song­writer Lady Gaga suc­cess­ful­ly stopped the cre­ators of ani­mat­ed children’s char­ac­ter Lady Goo Goo and the suc­cess­ful children’s phe­nom­e­non, Moshi Mon­sters, from pro­mot­ing and releas­ing a song enti­tled The Moshi Dance” on iTunes. Lady Gaga enforced her exclu­sive rights in the reg­is­tered trade mark LADY GAGA, on an inter­locu­to­ry basis.


Lady Goo Goo is a pop­u­lar char­ac­ter in the children’s online com­put­er game and social net­work­ing site, Moshi Mon­sters, designed for chil­dren aged 6 to 12.

The Moshi Dance” song was pre­vi­ous­ly released on YouTube and received a strong fol­low­ing. Before the song could be released and sold on iTunes, Lady Gaga com­menced pro­ceed­ings in the UK High Court against the cre­ators of Moshi Mon­sters, alleg­ing that the sale of the song on iTunes would infringe her rights.

Lawyers for Lady Gaga argued that the pub­lic would con­fuse the char­ac­ter of Lady Goo Goo with Lady Gaga and her trade mark LADY GAGA. They also sub­mit­ted that The Moshi Dance” song par­o­died ele­ments of oth­er Lady Gaga works and that some chil­dren had already been con­fused by the two works and ques­tioned whether they were associated.

The Court held that although peo­ple may appre­ci­ate that one song was a par­o­dy of the oth­er, some peo­ple were still like­ly to con­sid­er that the two were eco­nom­i­cal­ly linked, which may cause con­fu­sion with the Lady GAGA trade mark.

While the Court did not pre­vent the use of the Lady Goo Goo char­ac­ter and song with­in the chil­dren’s online com­put­er game, the Court grant­ed an inter­im injunc­tion to pre­vent tem­porar­i­ly the pro­mot­ing, adver­tis­ing, sell­ing, dis­trib­ut­ing or oth­er­wise mak­ing avail­able to the pub­lic The Moshi Dance” or any musi­cal work or video that pur­ports to be per­formed by a char­ac­ter by the name of Lady Goo Goo, or that oth­er­wise uses the name Lady Goo Goo.

Until the mat­ter is final­ly deter­mined by the Court, Moshi Mon­sters is pro­hib­it­ed from pro­mot­ing the song on YouTube or releas­ing it on iTunes. 

The Guardian news­pa­per attrib­ut­es to Michael Acton Smith, the founder and chief exec­u­tive of Moshi Mon­sters, the fol­low­ing comment:

It’s pret­ty obvi­ous that kids will be able to tell the dif­fer­ence between the two char­ac­ters,” … The shame is that mil­lions of kids fell in love with Lady Goo Goo’s debut sin­gle on YouTube and now won’t be able to enjoy her musi­cal exploits. It was all done in the name of fun and we would have thought that Lady Gaga could have seen the humour behind this parody.”

This is anoth­er exam­ple of the pow­er of a reg­is­tered trade mark, and the con­trol that a vig­i­lant trade mark own­er can wield, pro­vid­ed that action is tak­en swift­ly, in order to pro­tect a valu­able and recog­nis­able brand. It is also a reminder that, whilst par­o­dy is a clear defence for copy­right infringe­ment, its role in trade mark infringe­ment alle­ga­tions is less than clear, with sig­nif­i­cant argu­ments yet to be resolved as to whether use by way of a par­o­dy can amount to use as a trade mark and, there­fore, infringement.

It is not clear whether Moshi Mon­sters will con­tin­ue to con­test the mat­ter, and seek to release the song on iTunes, or whether it will not pur­sue that strat­e­gy, in light of the injunc­tion that has been ordered. If it does want to pur­sue the mat­ter, it will have to con­vince the Court that final injunc­tions should not issue. If so, there may be some fur­ther use­ful guid­ance on the rela­tion­ship between par­o­dy and trade mark use.

If you have any ques­tions about obtain­ing or enforc­ing trade mark rights, or poten­tial expo­sure when using a par­o­dy of a reg­is­tered trade mark, please con­tact Swaab Attorneys.

Co-authored by M Hall.

If you would like to repub­lish this arti­cle, it is gen­er­al­ly approved, but pri­or to doing so please con­tact the Mar­ket­ing team at marketing@​swaab.​com.​au. This arti­cle is not legal advice and the views and com­ments are of a gen­er­al nature only. This arti­cle is not to be relied upon in sub­sti­tu­tion for detailed legal advice.

Publications

Valid­i­ty, void­abil­i­ty and unen­force­abil­i­ty in con­tract law

If you have entered into a con­tract, you or the oth­er par­ty have draft­ed with­out legal assis­tance, you should con­sid­er some…

Nav­i­gat­ing Pri­or­i­ty Dis­putes under the PPSR: Path­ways and con­sid­er­a­tions for Secured Parties

The Per­son­al Prop­er­ty Secu­ri­ties Reg­is­ter (PPSR) serves as a vital frame­work for estab­lish­ing and pro­tect­ing inter­ests in per­son­al prop­er­ty in Aus­tralia…

Tis the Sea­son to Avoid Fol­ly: Work­place Christ­mas Par­ties (2024 Edition)

It’s that time of year. The ​‘Sil­ly Sea­son’. For many organ­i­sa­tions, the offi­cial employ­er Christ­mas par­ty is imminent.The start­ing point for…

In the News

CPD webinar/​online mod­ule for UNSW Edge (Law & Justice)

Recent cas­es have shown that expert evi­dence is not the only evi­dence that a Court will rely on in deter­min­ing whether…

Hol­i­day Office Clo­sure — 2024

The Swaab office will be unat­tend­ed over the hol­i­day and new year peri­od from mid­day Tues­day 24 Decem­ber 2024 re-open­ing…

Fixed term employ­ment con­tracts and work­place Christ­mas par­ties, Michael Byrnes appeared on Nights with John Stan­ley on 2GB and 4BC on 4 Decem­ber 2024 to discuss

Fixed term employ­ment con­tracts and work­place Christ­mas par­ties, Michael Byrnes appeared on Nights with John Stan­ley on 2GB and 4BC…

Sign up for our Newsletter

*Mandatory information